STG Presents Fatoumata Diawara at The Neptune on March 21, 2019.
Hailed as one of the most vital standard-bearers of modern African music, FATOUMATA DIAWARA
takes her artistry to fresh and thrilling heights on her new album FENFO.
Boldly experimental yet respectful of her roots, it’s a record that defines her as the voice of young African womanhood – proud of her heritage but with a vision that looks confidently to the future and a message that is universal. Her spectacular 2011 debut album Fatou made the Malian singer and guitarist the most talked about new African artist on the planet. FENFO (which translates as “something to say”) dramatically fulfils that promise on a set of vivid and original new compositions that draw on the rich experiences she has enjoyed since.
“I’ve had so many different musical adventures since the last album, touring and working with so many other musicians and I think you can hear how all of that feeds into this record,” she says. “This is my time and I’m sharing my soul.”
Those she has worked with include some of the biggest names in contemporary music. She recorded with Bobby Womack and Herbie Hancock; played Glastonbury and other major festivals; and toured with the Cuban pianist Roberto Fonseca. She assembled a West African super-group featuring Amadou and Mariam, Oumou Sangaré and Toumani Diabaté to record a song calling for peace in her troubled homeland; and climbed aboard Damon Albarn’s star-studded Africa Express, which culminated in her sharing a stage with Sir Paul McCartney.
She has also continued her parallel career as an actor, including an acclaimed appearance in 2014’s Timbuktu (Le Chagrin des Oiseaux), which received both BAFTA and Academy Award nominations.
More recently she shared the stage at New York’s legendary Carnegie Hall with the likes of David Crosby and Snarky Puppy in an evening of topical protest songs – and, according to many, stole the show. “Fatoumata Diawara, the singer and guitarist originally from Mali, provided two of the night’s most striking moments,” Rolling Stone reported. “Her ode to the power of women, “Mousso,” sung in her native language, was hypnotic, and her captivating stage spins enhanced her anthemic “Unite.”